WHAT: The Fuxedos Hijack The Joint!
Along with Sextus, led by Eric Dover (of Jellyfish, Alice Cooper, Slash's Snakepit), and special guests Valiant and Jody Whitesides.
WHEN: This Friday, February 27. Doors open at 8, first band starts at 8:45. The Fuxedos hit the stage at 10:30, followed by Sextus at 11:30.
WHERE: Joe’s Joint (formerly The Joint), 8771 W. Pico Blvd. at Robertson, LA 90035. http://www.myspace.com/thejoint
HOW MUCH: $10
Fuxshitup!
http://www.fuxedos.com
Paperworks 2009 International Juried Competition
b.j. spoke Gallery, 299 Main Street, Huntington, NY 11743
Entry deadline, May 29, 2009.
Artists with innovative work who use
paper as their primary medium are invited to submit up to three works
of art. Drawings, graphics, sculpture, 3D, bound books. No paintings
or photography.
Winners' Exhibition of selected works will be August
1-31 2009.
Judge, Maura Heffner, Exhibitions Manager, The Whitney
Museum of American Art, NY.
$35 entry fee, US funds only.
Download prospectus at www.bjspokegallery.com, call gallery at 631 549 5106 or
send SASE to address listed above.
from awesome artists.
CALL FOR PROPOSALS
UMAMI: food and art festival, 2010
New York City
Umami: food and art festival in New York brings together artists and food
professionals who use food as a medium to present multi-sensory experiences
in the theatre, gallery, or dining room. Choosing food as a common thread
creates new ways to look at and integrate art into daily life, and uses
artistic expression to think about food and its role in society.
Last years’ festival included performances, film and video, artists’ books
and visual arts in conjunction with artist/chef roundtables, panels,
culinary tastings and workshops. Our extensive schedule at Roulette in Soho,
brought culinary professionals, food scholars, artists and lovers of food
Open Call for Works
I will be hosting the May edition of Giant Ear ))) the two-hour
internet radio program sponsored by the New York Society of Acoustic
Ecology. The program will be based on recordings of 24-hour periods
of specific places. I am interested in hearing your recordings and
your strategy for making comprehensible the aural soundscape of one
place over a 24 hour period.
Please send submissions in mp3 format through an upload service
(yousendit, etc.) or email me for snail mail. Include in your
submissions a statement about how your recordings were made.
Send submissions: scottsherk27@yahoo.com
You can check out the Giant Ear))) archive. Goto
http://www.free103point9.org/archive and keyword search "Giant Ear)))."
Scott Sherk
from soundasart
Please join us on Sunday, March 1, 2009 from 3:00 pm to 5:00 pm for a discussion with artists Barbara Carrasco, John Valadez, Elizabeth Perez and J. Michael Walker regarding their current works in our "Intensidad" exhibition.
Barbara Carrasco creates small concentrated bites of intense, yet delicate, drawings. J. Michael Walker, fresh from his one-man exhibition at the Autry National Center makes a 180 degree turn from his Saints series by exhibiting a large colored pencil nude of unusual beauty. Elizabeth Perez's portraits of tattooed people introduces us to a defiant sub-culture. John Valadez, always on point, exhibits his series on the dance of the matador. Please join us for what should be a lively discussion.
When: Sunday, March 1, 2009 from 3-5 pm
CounterPULSE in San Francisco is currently preparing for its Performing
Diaspora Festival in November 2009. CounterPULSE's Performing
Diaspora is a festival, residency program, commissioning program, and
symposium featuring dance, music, theater, media and interdisciplinary
artists who are using traditional forms as a basis for experimentation
and innovation.
Performing Diaspora is open to any performing artist or group residing
in California.
Created in partnership with several local and statewide organizations,
Performing Diaspora is a two-year initiative challenging artists and
audiences to explore the evocative questions associated with this work.
Performing Diaspora:
1. Provides space and resources for artists who are using traditional